art exhibtion

Exhibition in Fuller Dome by Artist Kool Koor

“This is truly a full-circle moment for me” - Kool Koor

AXION SYMMETRA proposes a speculative cosmology in which geometry functions as a living

language connecting matter, memory, architecture, ecology, and consciousness. Through a

sequence of numbered works, the exhibition traces the emergence of worlds from primordial

formation and biological growth to civilization, exploration, reflection, and transformation.

Each work operates as an independent coordinate within a larger system, inviting viewers to

navigate a universe where perception itself becomes a creative force.

Kool Koor

KOOL KOOR (Charles William Hargrove Jr.) is a New York-born artist whose practice spans

painting, drawing, installation, and visual systems. Emerging from the South Bronx in the late

1970s, he developed a distinctive artistic language that combines architecture, geometry,

symbolic notation, and visionary landscapes. His work explores the relationships between

consciousness, ecology, technology, and the built environment, proposing speculative worlds

where organic and geometric structures coexist.

Kool Koor’s exhibition AXION SYMMETRA is currently on-view in the Fuller Dome Gallery through September 2026. The Fuller Dome Gallery is open weekdays 10 AM to 3 PM.

"A New Language" Exhibition Artist Talk

Join Benjamin Lowder in the Fuller Dome Gallery for an artist talk on 11/21/25 at 7:00 PM

Buckminster Fuller Benjamin Lowder Dymaxion Map Geodesic Dome Artwork

“A New Language” art exhibition by Benjamin Lowder in the Fuller Dome Gallery

“A New Language” launched on 10/24/25 with an evening of poetry, song, sacred story and visual art in the Fuller Dome with Rabbis Susan Talve and James Goodman. Accompanying the words and music was a visual art exhibition in the Fuller Dome Gallery by Benjamin Lowder featuring geometric assemblages built from reclaimed wood and vintage metal signage.

Lowder’s current series of work is titled, “Myth, Math & Magic.” This series is comprised of two- and three-dimensional totems constructed of reclaimed lumber and vintage metal signage. The advertising tropes of the vintage signs are deconstructed and reassembled into sacred geometric patterns that break the magic spell cast by the advertising’s original letterforms. These artifacts are recast to transmute feelings of nostalgia for an unsustainable past while drawing forward ancient wisdom to support an abundant future.